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Los Angeles, CA, USA - The Palladium - 08.06.1998







photo by Frank Cordero



Date: Thu, 11 Jun 1998 02:35:09 -0700
From: "FRANK X. CORDERO" <fxcordero@roadrunner.com>
Subject: (kw) KW Palladium Concert

Greetings Fellow

Kraftwerkians...just got in from LA....two hour delay in Phoenix...2:30 AM in the morn' in Santa Fe. The Palladium Concert was incredible! I will write more...but I'm sleepy and need to be at work at 8:00 AM. I got busted by security taking a picture before the concert...and only snapped one pic of the stage and roadies unloading the Robot cases and screens. Will post the one photograph and marquee photos on my web page soon. You should have heard the crowd....clapping...screaming...ooohhing and ahhhing.

Numbers was grabbing your gut with the bass.......Radioactivity was religious....and The Robots brought the house down....... Musique Non Stop....More later. New York, prepare yourselves!! You're in for a treat!

DJ Frank X
http://members.tripod.com/~DJFRANKX/index.html


Date: Thu, 11 Jun 1998 13:34:11 +0100
From: "Craig Land" <cland@acl.memec.com>
Subject: (kw) LA Gig

Hi everyone,

Well I arrived back into England 24 hours ago and am suffering from jet lag! But this is a minor price to pay for the excellent holiday I have just enjoyed in California which was topped off by an absolutely excellent performance by Kraftwerk in LA.

This was the third KW gig I had been to, previous two being London Brixton 1991, and Tribal Gathering 1997. I can honestly say that this was the best out of the three by far. The sound, lighting, atmosphere was superb. I wore my new KW t-shirt which I had purchased from Hotstuff, this was a unique shirt at the event as most people asked me where I purchased it from.

When we arrived at the LA Palladium the queue was enormous, the doors opened at 18.30, by which time we had arrived, but the queue was almost completely around the block. But it seems that someone, either the organisers, or maybe the US in general have got it sorted on dealing with crowd control, because we were inside in no time at all, and I managed to get a perfect spot quite near the front.

I met alot of friendly people, who were first impressed with my t-shirt then with the fact that I was English and had seen Kraftwerk perform before. I think we may have quite a few new members to list quite soon as I informed them about it's existence and to the type of info posted. The songs that I was most impressed with were the new song from Tribal and a track that developed from a near vocal only rendition of Airwaves. These got me rockin'!

I think what really made the event was the fact that most of the people in the auditorium had never seen Kraftwerk before, this made for an electric atmosphere, so everything they saw got a huge shout of appraisal. After the gig I went to a club called the Kontrol Factory, this was a Techno/Industrial club which was also playing Kraftwerk and Kraftwerk influenced music as a tribute. Whilst here I met up with ROBOT from our list and we had a discussion on our brief meeting in the club with,....Yes,.......wait for it,.........Florian Schneider!

Florian got to the club about an hour after the gig finished and stayed for some time. I waited for my moment and decided to go and speak to him. I held out my hand and greeted him but he stood there drinking a bottle of bear acting like a Robot. I congratulated him on a fine performance that evening and also mentioned that I had the pleasure of witnessing the Tribal gig last year.

I did not get one word back from him, he just smiled briefly and continued to act like a demented Robot. I at first put it down to extreme rudeness on his behalf, but after several other discussions with fans and the clubs promoters it seems he was like this with everyone and that he is extremely shy. Oh well, at least I have met him, can't say I'm impressed though!

Finally, I also got hold of the Olympic CD which has been so wonderfully re-mastered by Larry Coster. This is the second edition Olympic CD. Great stuff. Now I must get some sleep!!

Craig




Date: Thu, 11 Jun 1998 10:18:20 -0700
From: "robot" <robot@humboldt1.com>
Subject: (kw) The Agony & The Ecstacy

Note- I began typing this when I first got home at 5am. Then I stashed it in "drafts" and started reading the posts. I KNOW this is TOO LONG, but, I really must express this. Everyone's saying how great the Palladium was- where WERE you people?? In the BACK?? I couldn't SEE or HEAR a damn THING!! The Performance was FINE, from what others tell me- but, I was in no posistion to get full enjoyment from it. The place REEKS. Especially security.

First of all: No, I did NOT hug FLORIAN!! -(except in my dreams)- Where are you people getting these rumors? Will you knock it off already? It KILLS me that it's NOT TRUE!! All I did was shake his hand and talk to him briefly. I didn't drool on him or anything. Jeeeez. I'm sorry if this upsets anybody, but, I'm telling it like it is. Seeing/meeting KW was great, but, you have NO clue what hell I went through on this trip. Will somebody PLEASE shoot me *NOW* and put me OUT of my misery?!! If you don't want to hear it, just delete this message and move on.

If anybody's curious: Okay, I just got home- "safe" but not in one piece. Warfield was EXcellent, but, the Palladium SUCKED! -(I don't mean the performance.)- Some people say the accoustics were better in back, and supposedly the sequences and things ran more smoothly than at Warfield. I wouldn't know. I couldn't see anything but Florian. Okay, I could live with that. Actually, if I really twisted my neck, I could see a glimpse of the others one at a time. The MusiK needed to be louder- atleast from my vantage point. I was in roughly the same position as in Warfield, but, not against the rail, and a tiny bit closer to center. In any case, I am NEVER going to ANY show there ever again. There were too many bad things spoiling it. Nazi security -(bitch made me go "hide {my} pins in the bushes". I think not. Another guy said I could keep my pins, thank you, but, by the time I got inside, I lost my place against the rail.}, it was an unruly crowd, and people were getting hurt/crushed up front, especially during Pocket Calculator.

The absolute WORST part -(for me)- was when Florian gave his backstage pass to this young skinny retro-40's style tatooed short wedge-cut red-haired chick right in front of me at the end of Pocket Calculator. -(She was up against the rail, I was wedged in right behind her, and my arm wasn't long enough to out-reach her grasp. I was talking to her and other nearby bodies before the gig- I can't remember her name. 'Nothing against her personally, but, I wanna KILL her. 'Just an expression. I do NOT mean to insult her. I'm sure she's a perfectly good person and all. I'm just DYING of ENVY/JEALOUSY.*ARGH*. She was after Fritz anyway. Most of the chicks were.)- Also note: The girl in the CENTER with shoulder-length dark hair & glasses screaming her head off at Fritz was NOT the girl that Florian gave the pass to. -(See description above.)- Fritz kept smiling at the center girl. I didn't see her at the party afterwards. But, Florian clearly had his eye on this other girl and gave her the pass. GOD, I WANNA DIE!! At the Warfield, I was against the rail, in front of Florian, but, able to see the whole stage and all 4 members. I got my hysterics out that night. It really was overwhelming. But, I had ZERO energy the 2nd night. I couldn't even move my hands up to applaud. I was that squeezed. It was AWFUL!!

Yeah, sure, I met all four guys after the gig at Kontrol Faktory, and yes it was KooL that they came to the after-party. They danced a little and seemed to enjoy the MusiK. I spoke to each of them briefly. I met Florian first because he arrived before the others- with his d*te in tow. I spotted him and approached him simply & matter of factly, made a brief comment about seeing both gigs. Then I joked with him; "Was your Calculator WERKing okay tonight? I'm sorry, I did not mean to short it out last night- I was standing too close." He just laughed and took it in good humor. Then I told his d*te she was the luckiest lady in the Universe and asked Florian: "Why is she so lucky? Because 'she's a model and she's looking good'?" He just laughed and shrugged some more. Then I matter-of-factly told him; "I hadn't slept in 6 days, 'got $100 ripped-off in Frisco, and my plane was late getting to Burbank. But, meeting you makes it all worthwhile. Macht nichts." He just smiled and kinda shrugged again. -(He does that a lot.)- Somewhere I also said "I've been into your MusiK for 20 years- I love it!" Then I shook his hand again, said "take care" or whatever and politely got out of his face. He stayed with his "d*te" for the evening.

KILLKILLKILLKILLKILLKILL!!!!!!! -(Darn- I should've asked him "Well, if YOU don't want me, can I have a date with your ROBOT Doppelgänger?" I missed my chance to offer the ROBOTS a thorough LubeJob.*sigh*. I thought of it too late.)- Part of me wants to die because I'm not young/pretty/skinny enough to please Florian. But, another part of me says: If he ain't man enough enough to handle a REAL warm cuddly overly amorous woman close to his own age, t'HELL with him. I'll just build my ROBOTS and be done with it. Sure, they were all basically nice & polite to everyone who spoke to them, but, it was too painful seeing Florian with his "choice", and the rest with their equally young skinny dates.*ARGH*.

Oh- KuTe note: When a small bunch of us were talking with Fritz, someone brought up the names of the new tunes. Someone -(maybe it was me)- said "Tribal?" Fritz said "Yeah, we just call it tribal." and I mentioned the name "Nummwelt...." -(whatever)- and he looked at me all wide-eyed: "How do you know that?" "On the InterNet." -(It was MY turn to smile and shrug.)- A bit later I happened to stand next to Ralf at the bar. He was chatting up TWO chicks. I thought I heard him or one of the girls ask for a pen, so, I offered one in case he was signing something for them- "Oh, it's okay, I have a pen, Thank you." "Okay, sorry-" after a pause in their conversatioon I made the standard comments about seeing both shows and how interesting it was to note subtle differences- accoustics, etc. By this time I was over most of my nervousness and didn't sound so "silly".

Last of all I saw Henning and said basically the same thing and went into a bit more detail about the InterNet, Mail List, and meeting with other Fans all over the world. Oh- I also told them about the nice bike trails we have up here. Radtour im Rotwald! Fritz said something about having ridden around SF earlier that day. I said it's like the Alps with all the hills. More joviality. Fine, so they're nice guys when they want to be, but- it still tore my heart out. I honestly thought they'd be less obviously shallow than that. It must be "Mid-Life Crisis"- old men needing a young "trophy" on their arm- and I'm not "good enough" for them OR their ROBOTS.

God it hurts!! I'm just gonna crowl away and die somewhere. -(Don't worry. I'll find a way to pay everybody back first.)- Thanks again to EVERYONE for helping me! Buses/trains are an extreme hassle! -(It took me 4 hours to get back to my friend's house in Hollywood from Longbeach. A black chick and a Mexican chick got in a fight on one of the trains I was on. cripes. Just what I needed.)- Wednesday, JBV took me to the Airport and bought me a much-needed drink. THANK YOU!! -(My 5pm flight was cancelled, but, I DID make it on stand-by on the earlier plane. It WERKed out fine!)- An aside, but, something did happen to cheer me up. I made it to SF around 8pm, no problem, dragged my duffle bag around, looked for something to eat, and ended up in a pizza/bar joint.

The lady at the food counter asked me to stay for Karaoke in the back. Okay- the tail end of the Bulls vs Utah was on while I ate, -(Bulls take Utah? 88 to 84, I think. It was a tight game, apparently.)-, then they set up the Karaoke machinery. So, I picked "The Rose", "White Rabbit", and "Nights in White Satin". Small crowd, but, they LOVED it. I couldn't believe it. They wanted me to stay and sing some more but I had to catch the Greyhound. Well, I had SOME fun anyway. 'Talked to some nice folks on the ride home, and now I gotta TRY to get some rest. I'll have to catch up on answering Email later. It's been a VERY stressful trip. Agony/Ecstacy is a gross understatement.

And that's the rest of the story. KW still RULES and always will- but, do they HAVE be so damned BRUTAL about it? no fair. at. all.

ROBOT@humboldt1.com
http://www.humboldt1.com/~robot/
ROBOT's Silly Sektor of CyberSpace


Date: Tue, 09 Jun 1998 00:13:45 -0700
From: Jean-Luc Turbo eidocult@pacbell.net
Subject: (kw) Hollywood Palladium Show

Hey Kraftwerkians,

I just got home from my first ever Kraftwerk gig and my voice is practically gone. The Palladium was such a great space to see KW. Being such a famous space from the big band era and then now, present day, KW filled the space quite nicely. They played every song I especially wanted to hear: Numbers, Tour de France, It's More Fun To Compute, and Boing Boomtschak/Musique Non-Stop. I dug the two new songs too. All tension-filled with very little percussion. I have to naively admit that the ROBOTS were a total surprise. I expected a diverse crowd too, like I knew people like my high school principal would be there, but I didn't expect so many people around my age.

I bought my first KW album, Computer World, back in junior high in 1982, so I was pretty amazed by the mid 20's Groove Radio 103.1 and Power 106 looking revelers in attendance. Guys were in attendance, compared to women 5 to 1. I have my ideas why that is...wonder what you guys think... I have to admit, that it was probably if not the best, one of the best concerts I have ever been to. This is another rambling gushy bimbo post from me...oh well...I'm in a rather rambly gushy bimbo mood...didn't "see" some of the group there like ROBOT or Larry LaCost, but I was looking for you guys...oh well...sorry I was too tired to go to Kontrol Faktory...gotta' work in the morning...

Best Regards,
Jean-Luc Turbo
The Cult of Eidophusikon




Date: Tue, 9 Jun 1998 14:10:58 -0700
From: llacost@juno.com (Larry R LaCost Jr.)
Subject: (kw) S.F. & L.A. Show. This One Is Important!!!

One thing to note about both the San Francisco and L.A. concerts, lots of press. I'm sure a review is out by now from the San Francisco Chronicle or the San Jose Mercury Newspaper. L.A./Long Beach's papers should have something on them tomorrow. Guarantee there were reporters from magazines. Also, the press were there for a longer period than the S.F concert.

NOW FOR THE GOOD NEWS! Do I have your attentions people??? Tripod video cameras were station on each side of the upper balconies. I was in the front first row looking at Ralph in both concerts (actually my girlfriend had first dibs in the front row in L.A.) as I was in San Francisco. When I turned around to look at the crowd in L.A. 2 vidoe camera on opposite ends (stage left & stage right) were on and filming (the bright red light was on!). And this was good... I saw no mistakes or bugs in the concert.

If they had to film a flawless concert, L.A. was the place to do it (I only mention that because I've heard in the past that mechanical difficulties were present at previous concerts... such was not the case in L.A.). I could not see if there was a camera center stage of not but I'm sure there had to have been one. To give you an idea on how the two were placed, see below:

oooooooooooooooooooooooooooooooooooooo
| |
| Stage |
| |
| |
| |
oooooooooooooooooooooooooooooooooooooo
| Audience |
X | | X
| |
| |

Outside the veritcal bars, in the audience area represent the upper balcony... audience is below stage level... and X marks the spot for the video cameras! Excellent concert to be filming this. I was only nervous briefly when I noticed how shallow the stage was and how close the audience was... how could they pull off performing Pocket Calculator?

But in the end they did it without a hitch and the rest is on film. I must add that the the L.A. crowd was much more aggressive than S.F. I could see the concern in each of the band members eyes... already the crowd pushing there way closer to the stage and the 1st song wasn't even 1/4 of the way through. It was also very hot in L.A. Poor ventilation and the heat even caused one person next to us to pass out. I think the majority would agree that security was at its tightest. Unlike S.F., a 2 tier security system was present and as soon as I saw the wands, I immediately reached for my disposable camera, located in an obscene location, and threw it away... well I got away with getting a camera in at S.F. and, quiite honestly, I got a better spot in S.F. Funny, the first person in line at S.F. had a boom box playing KW... the first person in line at L.A. had a boom box playing KW... ;-> Hope all is well and we'll talk soon.

Larry R. LaCost Jr.


Date: Wed, 10 Jun 98 12:28:53 -0000
From: Mike Peake <peake@pacificnet.net>
Subject: (kw) Kraftwerk LA Show/1981 Detroit Show

Hey K-Fans.

I posted this to the Analogue Heaven mailing list, but a member recommended that I post it here. I'm not subscribed right now, so I hope this gets through. So, if anyone's interested: Hey Synthgods.

The LA show was as described in Knox's (idm) post. I saw Mike Dvorkin and some other friends, which was a miracle since I've _never_ seen so many people at the Palladium... I wasn't expecting much but was blown up by the show. It's easy to forget how important they are in the field when lost among all the emusic that's coming out nowaday. The played from 8.30 until 10.36...

The show was quite similar to the one I saw in Detroit in '81 (yow! It's time for Centrum Silver!). They closed the curtains and then came up front for Pocket Calculator, playing small handheld custom-looking devices which exhibited glitches (which they dealt with in humorous fashion!). Florian Schneider hammed it up, which suprised me, as he was stone-faced in Detroit, only smiling then on the final 'pongs' of Pocket Calculator sound, which generated an eruption of applause. He then stuck his head out from the closing curtains for the final 'pong'. This time he moved around and did guitar hero moves. He gets to.

They had the Robots alone onstage for the track of the same name again, and humoursly saved the light show for them, not for themselves! Quite in keeping with the man/machine ethic. They had the same four projection screens as the Detroit show, but the films and graphics were different. They of course didn't use the b/w films of the 1981 members riding the TEE etc. The graphic concepts were the same, but were new. I can't decide if I enjoyed the Home Computer visuals better from now or then. I'm just happy to have both memories! I've read that they had volume and modulation pedals at this show, but I was too far back to see them. They made constant use of them in Detroit; it was quite a large part of Ralf's technique.

They rock,

Mike




Date: Thu, 11 Jun 1998 19:13:58 -0300
From: Mark Fonda <markfonda@setarnet.aw>
Subject: (kw) Kraftwerk in Hollywood - Live or Memorex?

I was lucky enough to have attended the KW concert in LA the other night. Here's a few of my comments and observations: The concert actually started a full two hours after the doors opened and lasted just over 2 hours. Security was very tight.. a double frisk-down with metal detectors and "empty all your pockets". KW played the exact program as all the previous Tokyo and SF concerts. The sound system was awesome and the bass rattled your bones but was not deafening. I was on the floor level about 75 feet from the stage... no seats... standing only.

All their 'oldies' seemed to be updated with a strong techno beat which made them more contemporary sounding. I really liked 'Autobahn', 'Radioactivity' and 'New Song 2' which is a very powerful upbeat techno number with some cool melody woven in. I really liked the fluorescent green striped jump suits they put on for 'The Robot' and the last two tracks including 'New Song 2'. 'The Robot' was actually all without anyone on the stage... the video screen came down and there were four robots all moving in unison to the music... pretty cool!!

The music was so precisely synchronized with the video that it would have to have been mostly pre-recorded. I could not really tell if any of it was live except that it did sound a bit different from the original recordings... but that could have just been some studio mixing back at Kling Klang for all we know. From the front you could not see any hand movement behind the keyboards except for some occasional shifting and knob tweaking.

I went off to the side at one point and I did see Ralf's hands moving some on the keyboard but I honestly could not tell if he was playing any notes live. He was the only one that sang, but he put his hand up to his mouth most of the time... he could have been lip synching. They all got up front for 'Pocket Calculator' and they each had little keypads... again, I couldn't tell if it was all a recording or not... but they were for once out of their 'robot mode' and were having some fun with it.

Nonetheless, it was a very lively and entertaining show and I relived many pleasant memories since Kraftwerk (Autobahn) was my first e-music listening experience. The concert was flawless and "live" or not, I had a great time. I'm curious to hear other people's reaction to the "live" question. Tangerine Dream does not play much live anymore either. They claim they are just giving the fans what they want... in other words, rather than risk a few bum notes and off-key harmonizing, they play 90% from DAT and then just lay in some synth or guitar over the top to give some live feel.

I think the same must be true for Kraftwerk these days. The question is... is that what we want??

Mark


Date: Thu, 11 Jun 1998 21:41:10 EDT
From: <DplusH@aol.com>
Subject: Re: (kw) Kraftwerk in Hollywood - Live or Memorex?

In a message dated 6/11/98 6:25:32 PM Central Daylight Time,
markfonda@setarnet.aw writes: > He was the only one that sang, but he put his hand up to his mouth >

most of the time... he could have been lip synching. I think he did that to direct his voice to his headset. In Chicago he definately sang and I noticed that he started to sing without his hand to his mouth and his words got lost. After he put his hand to his mouth it sounded better. As for it being taped I think that certain songs were like "Metal on Metal" and obviously "Robots". I think its great. I loved the sound. Why it was a religious experience!!

David Hubbell
Chicago


Date: Thu, 11 Jun 1998 23:10:46 -0700
From: "FRANK X. CORDERO" <fxcordero@roadrunner.com>
Subject: (kw) Bear with me Fellow Kraftwerkians...
bear with me...as I have some Sony Mavica Digital Camera photos to
share.......I have just read all 390 list comments/opinions/mindfucks and
such......
Hollywood Palladium concert impressions.....
*Did you notice how many people were trying to buy tickets? (sold out)
*Did you notice the diversity of the people standing in line? (50+ MacUsers,
GenX'ers, Disco Robots, Hollywood Stars, and devotees?
*Did you notice that the opening number really was music that started 20
minutes before the opening. (subliminal KW riffs and vocoder whispers?)
*Yes, the heat was unbearable, but did you notice how many heads were
bopping to the music?
*Robot, the acoustics were awesome towards the middle of the Lawrence Welk
ballroom...
*Did you notice how the BASS speakers grabbed your stomach?
*Did you notice the two vid-cams on either side of the state recording the
performance?
*Did you notice the flashbulbs..(Press?)
*Did you notice the faltering voice during The Model......?
*Did you notice all the black market T shirts outside of the Palladium
selling for $10.00 or less?
*Did you notice all the trendy red and blackers?
*Did you notice the one screen that was faltering in color
resolution....(Second one from right?)
*Did you notice the manic clapping and screaming before the performance?
*Did you notice the heat inside?
*Did you notice the enthusiasm of the crowd?
*Did you notice the chandeliers up above? (Lawrence Welk is turning in his
grave)
*Did you see 27 Devils Joking?
*Did you you see Rick Dees?
Mein Gott! It was my KW experience... I kissed their feet in my mind......
Give me time as I will post the "security breach photo of the set up"/

Date: Fri, 12 Jun 1998 08:54:55 -0400
From: "Mischoulon, David" <DMISCHOULON@PARTNERS.ORG>
Subject: (kw) Review of Kraftwerk in LA and Chicago, 1998

Here is my review of Kraftwerk at the Hollywood Palladium, Los Angeles,
June 8, 1998; and at the Riviera Night Club, Chicago, June 10, 1998.

(Note: Both sets were essentially identical. Ill point out some
differences between them at the end of the review).

The show began with odd recorded music and electronic sounds for a few
minutes, then a loud synthetic voice spoke in German, most of which I
did not understand, except for...."Die Mensch Maschine.... Kraftwerk!".
As the audience applauded, the curtain rose to reveal the familiar 4
consoles backed by 4 video screens, and out marched Ralf, followed by
two new band members, and Florian (head shaved), all dressed in their
familiar black outfits, taking their positions at the consoles.

The songs:

1) Numbers--Great opening number! (no pun intended). Different numbers
flashed on the screen, and multiple languages were featured, including
English, German, French, Italian, and Japanese. This one got =
everything
off to a great start.

2) Computer World/ it's More Fun to Compute/ Home Computer--The =
familiar
tune with some changes in lyrics, such as "CIA and KGB, Control Data,
and Memory.... Communications... Time... Medicine.... entertainment".
Again, the words were flashed on the screens, along with geometric
patterns in different colors. Computer World segued into a short
version of it's More Fun to Compute, and the medley ended with Home
Computer.

3) Man Machine--Included German and English Lyrics, which were flashed
on the screens. A surprise: the line "Super Human being" has now =
become
"Semi-human being"!

4) Tour De France-- this one included old newsreel footage of the =
famous
race, as well as the Kraftwerk logo from the Tour De France single. =
The
last verse about "camarades et amitie" was not included.

5) Autobahn--The familiar road sounds announced the start of this one, =
a
medium length version, with videos of the Autobahn traffic, and =
drawings
of old Mercedes and VW Beetles with a happy family riding (are German
automakers promoting the tour?). Another unexpected twist: With the
last note of the song, the screens flashed the autobahn symbol ( ] [ )
with a red diagonal line going through it! ( ]/[ ). Ban the Bahn?

6) The Model--The great ditty about a man's obsession with beauty.
Complete with old newsreel footage of models in fancy dresses on a
runway. Ralf's singing was great on this one.

7) Airwaves/ Instrumental-- included multiple green wave patterns on =
the
screens, representing the acoustic patterns. Airwaves segued into a
long instrumental, which I do not recall having heard before. This set
the stage for...

8) Radio Activity-- Kraftwerk at its most political. The song opened
with a mechanical voice (and the screens) giving a brief lecture about
Sellafield 2, the amount of plutonium it generates in 4.5 years being
the equivalent of Chernobyl, and how Krypton 85 causes "death and skin
cancer" The "mix" version was then played including "Stop
radioactivity...chain reaction and mutation, etc." Videos included =
nuke
symbols galore and ended with atoms banging into each other and
eventually exploding. Nothing subtle or understated here!

9) Trans Europe Express/Abzug/Metal on Metal--The classic tune, with
videos of the TEE in the background. They skipped the third verse (the
Iggy Pop and David Bowie part). The Metal on Metal portion was
particularly impressive as the sounds were perfectly synchronized to
train couplers knocking against each other. In view of the recent =
train
disaster in Germany, "TEE" had a particularly eerie quality this time.
This song ended the set, but after the curtain closed, the fans would
not let them off just like that, so they came back and played....

The encore:

10) Pocket Calculator--Kraftwerk at their most playful, they gestured,
joked, and laughed at the cute sounds they made with their hand held
devices. In the Hollywood show, the crowd rose in unison and moved =
even
closer to the stage as they began to play. Lyrics were in English and
German. No screen stuff on this one. Another curtain, and then they
returned with...

11) Robots--Actually, Kraftwerk was not on stage for this one! The
stage was empty, and the consoles ran the music themselves. The =
screens
flashed the lyrics, as well as the Russian bit. Funky robot outlines
were shown on the screens. And then at the end, the video screens
dropped to reveal....

12) Robots-- Same song, this time with the 4 robots standing and moving
their heads and arms to the music. Some fantastic lighting effects
(mostly strobes) were used here to exaggerate the movements of the
robots! Another curtain, and then....

13) Instrumental--Previously unheard instrumental (at least I've never
heard it!). The boys wore the black outfits with green =
glow-in-the-dark
stripes and goggles, and orange gloves. They directly segued into...

14) Boing Boom Tschak/Music Non Stop--Some cool visuals with the sounds
reminded me of the Batman TV series' visual/sound effects. There was
footage of the computer generation of band members' faces from the old
video for this song. They kept this song going for a while, then Ralf
exited to the right (folder in hand, of course!) to a round of =
applause.
Shortly thereafter, he was followed by the first percussionist, and
later by the second percussionist, leaving Ralf alone for a couple of
minutes. Then Ralf turned to the back console, and set the sound to the
automatic "Music...Non-Stop....Musique....Non-stop". He stepped off
stage to a round of applause, and the music continued as the curtain
closed. Eventually the music and percussion stopped, and all that was
left was the lone pair of voices, "Music...non-Stop...
Musique....Non-stop", echoing each other as the audience slowly left =
the
theatre.

Additional thoughts and comments:

1) I liked the use of different color lights in different songs. These
included red, green, purple, and flashing lights.

2) The precision of the performance was remarkable. The coordination
with the music, videos, and lights was near-perfect.

3) There were some vocal problems in Chicago. Ralf had some trouble =
with
his mike which would sometimes not pick up the words. Overall the =
sound
was a bit better in Hollywood, but both performances were incredibly
polished.

4) The Hollywood Show was slated for 6:30pm, but the performance didn't
begin until 8:30pm, due in part to super-tight security measures,
consisting of 2 metal detector passes and a thorough frisk (no body
cavity search though!), including the confiscation of cameras,
binoculars, pens, pencils, cigarettes, lighters, and any other material
deemed "Potentially dangerous". =20

5) The Chicago show was scheduled for 7:30pm. Its security was much
more laid back (as was the Chicago audience). One light frisk, and the
show began at around 8:15pm. =20

6) Both shows lasted a total of about 2 hours (1:20 for the first part,
and 0:40 for the curtain calls).

7) The Hollywood Palladium was small, included a main dance floor
(standing only) and 2 small balconies, one of which was reserved for
"VIP guests" I was on the main floor on this one, and there was a lot
of movement and dancing throughout the show. People upstairs also =
stood
and danced for most of the show. I had hoped that perhaps some of the
Devo members would come to the show (since they live in LA), but I
didn't see anyone resembling them.

8) The Chicago Riviera is a very old theatre, with a big balcony. I =
sat
upstairs here, getting a much better view of the screens and the
consoles. There was dancing on the ground floor which had no seating,
but the balcony audience was generally laid back and stayed in their
seats, except for the occasional standing ovation for the band members.
Overall the Chicago crowd was much more orderly than the LA crowd!

9) It is rumored that Kraftwerk will be releasing a new album this =
year.
A new compilation has been advertised in some CD websites, but it is
currently listed as on "backorder" (i.e. it probably has been delayed =
in
production!). If a new album is indeed in the works, this might =
account
for Kraftwerk's decision to begin touring again, particularly in
America.

10) Please email me (or post in the newsgroup) any comments or
additional info about the tour, the band members, or upcoming albums
(MISCHOULON@AOL.COM)

David Mischoulon

Date: Fri, 12 Jun 1998 13:19:05 -0700
From: "Marcus Wagstaff" <mwagstaff@robertspharm.com>
Subject: (kw) I Met Kraftwerk in Hollywood!!! Hello everyone, Here are some of my thoughts from Kraftwerk's Hollywood concert: What a fantastic concert!! My sister and I went over from Phoenix to catch
it, and wow, it was better than I expected. We were on the front row on the left side of the stage. When the curtain
opened, Ralf was standing right there! The band was lined up in their
typical layout, but they were close to the audience. I was literally 12
feet away from Ralf. The music was terrific. As another list member mentioned, the bass pounded
you, but wasn't overwhelming. I was intrigued by the set of pedals each member of the band had. Ralf was
working them non stop, and it was hard for me to hear how they synched with
the music. Anybody know how those pedals fit in to making/altering their
sound? Every song was terrific, but my favorite number was Pocket Calculator. It
was one of the encore numbers and the band was standing in front of their
workstations with the little boxes in their hands. Ralf's box had lego
building block style white-black keys, like a little keyboard embedded into
the box; the other guys just had a row or two of buttons on theirs. Florian
was having the most fun being theatrical with punching his button at the
appropriate time. Henning was having fun with that too. The crowd was
really into it, too. Everyone up front was pointing at different members of
the band as the different BEEPs rang out. They each had an improvisational "solo" during music non stop, at the very
end with different sounds and tempos. The couple new songs were really good too. It was really a great show! My sister and I went to a club for the "Official after concert Party." It
was at an industrial/goth club a mile or so away from the Palladium. We
were just sitting around enjoying the music there, when to our great
surprise Florian came walking in with a young woman! He had on a black suit
and shirt. They went down to the bar. I followed them down, and went over
to him and thanked him for the concert and for making such excellent music.
He smiled and said "You're welcome." His date was really clinging to his
arm, so I shook his hand and went back upstairs to hang out with my sister. About 30 minutes later, Ralf and Henning walked on in! Ralf had on a black
suit/shirt, and Henning was wearing a black jogging outfit with running
shoes. They went over to the railing and were watching the folks dancing
down on the main floor. Nobody seemed to recognize them. I went up to Ralf
and thanked him for the concert and told him I thought the show was
terrific. He nodded cordially, but only said "thank you." Then, he went
over to the bar. Henning seemed more lively. I asked him how long he'd been
with the band and he said he joined them in 1990. I told him to keep up the
good work. Then I said bye. He hung out for a couple more minutes, then
took off. For years I thought I'd never be able to see Kraftwerk in concert. But I
did, PLUS I got to meet Florian, Ralf, and Henning. It was the most
enjoyable concert experience of my life. Has anyone else interacted with the band during this tour? I am so glad I got a chance to see them live, and especially to meet them. They still have the pull to attract sell-out crowds. Their music is
terrific. - - Marcus Wagstaff